Theatre The Oresteia review: Aeschylus compellingly updated for our times ★★★★Some will criticise Simon Stone’s adaptation for straying from the original trilogy but this is an evening of theatre you will not forgetBy John Nathan2 min read
musicalsJesus Christ Superstar review: ‘seems to get better the older it gets’ ★★★★Jews might view this sung-through rock opera with limited emotional involvement but theatrically the evening is impressiveBy John Nathan2 min read
TheatreCyrano De Bergerac review: Adrian Lester’s Cyrano is bang on the nose ★★★★★The actor gives a stunningly multi-layered performance in this triumphant revivalBy John Nathan2 min read
TheatreLondon theatre to be renamed after late playwright Sir Tom StoppardWest End theatre, The Duke of York, to be renamed in honour of the Czech-born writer who became the most acclaimed British dramatist of his generationBy JC Reporter2 min read
TheatreGlengarry Glen Ross review: David Mamet’s desperate estate agents ★★★★This is the second time in a year that Patrick Marber has directed Mamet’s hilarious and horrific dissection of sales cultureBy John Nathan2 min read
TheatreWe Had a World review: Joshua Harmon’s mother and grandmother are at war in this gripping drama ★★★★The Bad Jews writer is played Ryan Kopel in his most personal commission to dateBy John Nathan1 min read
Theatre Allegra review: Maureen Lipman is the clowning glory ★★★Quilter’s goofy comedy reminds us that Dame Maureen is, in the best possible sense, a clownBy John Nathan2 min read
High Society review: Fizzing stage reboot starring Felicity Kendal ★★★★The individual performances are all excellent in this iteration of Cole Porter masterpieceBy John Nathan2 min read||June 9, 2026 17:06
Black Comedy review: Peter Shaffer’s big idea lacks the light to really shine★★★Characters are plunged into the dark for most of this escalating slapstick showBy John Nathan2 min read||June 2, 2026 18:23
Equus review: Gripping revival of Shaffer’s foray into a troubled teenager’s mind ★★★★★Noah Valentine should win awards for a performance of the stable boy who blinds the six horses he adoresBy John Nathan1 min read||May 26, 2026 16:55
NIUSIA review: ‘it increasingly feels as if we’re listening to the wrong story’ ★★★Beth Paterson’s journey to her Jewishness is a worthy story, but her Holocaust survivor grandmother steals the showBy John Nathan2 min read||May 20, 2026 09:38
‘Here, I’m a star’: Richard Kind on the victory lap that is his West End runPlaying Max Bialystock in The Producers is a full-circle moment for the oh-so Jewish actor, who can’t help but be a leading manBy John Nathan4 min read||May 6, 2026 17:50
The Price review: ‘If this is Henry Goodman’s swansong, he’s going out on a high’ ★★★★The actor’s performance is a career highlight in this sure-footed production of the Arthur Miller playBy John Nathan2 min read||April 26, 2026 12:23
My play about families being ripped apart by Israel and GazaRyan Craig on The Holy Rosenbergs, his work that dares to explore the moral turmoil of diaspora Jews when the Jewish state is at war4 min read||April 24, 2026 16:25
Exclusive interview: Henry Goodman on Arthur Miller, mental health and his own ‘Swansong’The star opens up about his father’s schizophrenia and his personal link to playing Gregory Solomon in The PriceBy John Nathan5 min read||April 23, 2026 16:27
Les Liaisons Dangereuse review: ‘why revive it?’★★Lesley Manville’s predictably superb performance is not enough to redeem a new stage production of the sexually exploitative 18th century novelBy John Nathan1 min read||April 15, 2026 17:23