‘As an Israeli, I felt really unsafe in the creative industry’
Neta Gracewell is bringing ‘a dark feminist comedy’ to the Camden Fringe
Theatre review: Slave Play, ‘An evening primed to cause tension and offence’
Viewing this play through a Jewish lens you can see the disconnect that can form between two loving people with different histories, says John Nathan
The Israeli puppeteers working with children devastated by October 7
Ahead of their London shows, meet the troupe behind an uplifting puppet show
The Marilyn Conspiracy review: An evening of ... conspiracies
Kiss Me, Kate review: this kissing lark is all in the line of duty
English review: I think this classroom drama could try a little bit harder
A View From the Bridge review: bridge in the shadow of a Miller classic
Theatre review: Romeo and Juliet, ‘A muscular and modern take on Shakespeare.’
Theatre review: Passing Strange ‘The music is excellent’
Stew’s autobiographical musical misses its originator
Theatre review: Fawlty Towers The Play. ‘Everything one would have hoped for’
Three sitcom episodes do not a play maketh
Spirited Away review: Japanese imagination lands on a West End stage
Puppets and costumes combine with top-drawer stagecraft to conjure the most outlandish sequences
Machinal review: superb depiction of a life trapped by conventions
Sexually repulsed by her spouse, the affair is the Young Woman’s only source of hope
The Turkish Jew who’s now that waiter from Barcelona
Hemi Yeroham is taking on the role of Manuel in a stage version of Fawlty Towers. He shares how he is priming himself for the punishing part and why following in Andrew Sachs’ footsteps is such an honour
London Tide review: A tide that laps at your knees, rather than sweeping you away
The Comeuppance review: Grim repear comes calling at the college reunion
Power of Sail, review: Diving into the choppy waters of the US culture wars
This play shows how a white supremacist world view is gaining momentum, even in the upper echelons of American society
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