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‘As an Israeli, I felt really unsafe in the creative industry’
Neta Gracewell is bringing ‘a dark feminist comedy’ to the Camden Fringe
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Theatre review: Slave Play, ‘An evening primed to cause tension and offence’
Viewing this play through a Jewish lens you can see the disconnect that can form between two loving people with different histories, says John Nathan
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The Israeli puppeteers working with children devastated by October 7
Ahead of their London shows, meet the troupe behind an uplifting puppet show
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The Marilyn Conspiracy review: An evening of ... conspiracies
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Kiss Me, Kate review: this kissing lark is all in the line of duty
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English review: I think this classroom drama could try a little bit harder
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A View From the Bridge review: bridge in the shadow of a Miller classic
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Theatre review: Romeo and Juliet, ‘A muscular and modern take on Shakespeare.’
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Theatre review: Passing Strange ‘The music is excellent’
Stew’s autobiographical musical misses its originator
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Theatre review: Fawlty Towers The Play. ‘Everything one would have hoped for’
Three sitcom episodes do not a play maketh
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Spirited Away review: Japanese imagination lands on a West End stage
Puppets and costumes combine with top-drawer stagecraft to conjure the most outlandish sequences
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Machinal review: superb depiction of a life trapped by conventions
Sexually repulsed by her spouse, the affair is the Young Woman’s only source of hope
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The Turkish Jew who’s now that waiter from Barcelona
Hemi Yeroham is taking on the role of Manuel in a stage version of Fawlty Towers. He shares how he is priming himself for the punishing part and why following in Andrew Sachs’ footsteps is such an honour
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London Tide review: A tide that laps at your knees, rather than sweeping you away
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The Comeuppance review: Grim repear comes calling at the college reunion
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Power of Sail, review: Diving into the choppy waters of the US culture wars
This play shows how a white supremacist world view is gaining momentum, even in the upper echelons of American society
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