There is a strong Jewish presence in this taut le Carré Cold War thriller which has more twists than a cheese stick
By John Nathan
Cinderella is a baker in the Kosher Kingdom in this Jewish version of the classic fairy tale
By Eliana Jordan
Ivo van Hove’s direction of the author’s 1955 hit peels back the central family’s secrets with cinematic vigour
This theatrical adaptation of the trailblazing dystopian movie by Jewish director Gary Ross lacks the emotional depth of the film and book franchises
The first act of this clever play about two Brooklyn marriages is a little ponderous, but stick with it – the second act is more than worth the wait
David Harewood is in the title role, but it is Toby Jones who steals the show
The Jewish actor stands out in this beautifully performed play about Jews at Christmas
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This sunny ballet by Frederick Ashton, brought to life at the Royal Opera House, is a skilfully choreographed delight
By Joy Sable
Nicola Walker conveys with fevered obsession how a mother’s mind implodes when her teenage son disappears
The Jewish Playwrights Programme, whose cohort of writers will develop their own full-length plays over six months, aims to empower new Jewish voices
Susan Sarandon brings steel to Tracy Letts’s play about the unremarkable life of one American woman, but it is Andrea Riseborough who delivers an outstanding performance
Based on interviews with journalist Gitta Sereny, this new play about child victims of war spans 45 years – but still takes too long to answer its main mystery
Women’s ailments have long been trivialised, but these two authors have some remedies
By Gaby Koppel
The playwright believes her new play answers this long-standing question
The director on why he saturated The Producers with a Jewish sensibility, about his late-onset Jewishness and why he thinks hatred from strangers is not the worst thing
Israeli actor Neta Roth explains why she can’t wait to bring the biblical figure Salomé to life in the hotly anticipated West End production of Oscar Wilde’s eponymous play this month
By Natalie Blenford
Patrick Marber’s inventive new production, which transferred to the West End this week, avoids the big-Broadway-show thing but The Great White Way is surely where it’s headed
The debut play written by writer-director Rosenblatt, about Roald Dahl’s antisemitism, won three Olivier awards
By Elisa Bray
It is odd that director Daniel Evans has chosen this work, which isn’t really a history play at all, for his inaugural production as co-artistic director of the RSC
Mike Bartlett’s latest play grapples with the issue of environmentalism and sustainability through a group of people ideologically divided
In their new play, legendary writing duo Marks and Gran reveal that Sigmund meeting Adolf is not so far-fetched after all
By Maurice Gran
After 70 uninterrupted minutes, we emerge knowing something of life under the pall of depression and suicide – and it makes for a funny and moving night out
Jewish actor Marcus Freed tells the true story of the LA hit-and-run accident that nearly killed him in this profound, vivid one-man show
