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Theatre

Guess How Much I Love You?: ‘the acting elevates the writing’ ★★★

The performances in this portrait of a pregnancy in crisis are marvellous. But whether the play reveals anything about love is questionable

February 3, 2026 15:38
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Masters of their craft: Rosie Sheehy and Robert Aramayo
1 min read

The death of a child is the cheapest trick in a writer’s toolbox. Bored audiences can be made to bawl with the snuffing out of a young life. The question then is not whether one cries, but whether one cries resentfully for being manipulated into feeling more than a play deserves.

This question hangs over the first production in the Royal Court’s 70th anniversary season and never quite goes away. Every parent will recognise the title from the children’s book about a daddy hare and his leveret who are locked in a cycle of mutual endearment by quantifying their love for each other in terms of distance.

No, in Luke Norris’s play, Little Nutbrown Hare does not get run over by an SUV. Rather the focus is a young couple who are expecting their first baby. Named only as Him and Her in Norris’s script they receive news after the 20-week scan that their child will be profoundly disabled.

The play’s title is not only taken from the book that many parents, including Him and Her look forward to reading to their children. (Though since a friend pointed out to me the unhealthy emotional manipulation of encouraging children to commodify love, this book has stayed on the shelf.)

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