Theatre Dear England review: ‘permission to be patriotic’How good to able to sit in a theatre and with some justification, rather than deluded hope, feel the unashamed urge to cry ‘Come on England’By John Nathan2 min read
TheatreA Comedy of Terrors review: ‘a hoot’This athletic Dracula send-up certainly puts the vamp into vampireBy John Nathan1 min read
TheatreThe Seagull review: ‘Cate Blanchett gives it pitch–perfect pizzazz’The star is ceaselessly flamboyant in Thomas Ostermeier’s staging of the Chekhov comedyBy John Nathan2 min read
Theatre Farewell Mister Haffman review: ‘an unlikely ménage à trois’There is much to enjoy in the London premiere of this darkly comic play set in Nazi-occupied Paris, but its premise means it is ultimately unconvincingBy Imogen Garfinkel2 min read
Dance Dance review: Romeo and JulietThe Royal Ballet shines in a classic productionBy Joy Sable1 min read
TheatreThe Last Laugh review: ‘a love letter to British comedy and three of its funny men’This is a wonderful resurrection of gilded comedians Tommy Copper, Eric Morecambe and Bob MonkhouseBy John Nathan2 min read
TheatreUnicorn review: ‘Stephen Mangan, Nicola Walker and Erin Doherty in threesome’Having explored a gay couple being attracted to a straight relationship in the play Cock, Mike Bartlett now turns to a heterosexual relationship where a spouse wants a same-sex affairBy John Nathan1 min read
Theatre This Menuhin show is all about the words, not the musicThe granddaughter of the great classical violinist on her first stage play, an adaptation of the 1938 German novel The PassengerBy John Nathan5 min read
Theatre Richard II review: ‘has lessons for Trump’The American President, not known for his appreciation of Shakespeare, won’t watch this, but he shouldBy John Nathan1 min read
TheatreThe Value of Names review: ‘a bitter ode to the victims of McCarthyism’Jeffrey Sweet delivers a dark play about a previously blacklisted Jewish comic who refuses to let go of the past, even if it’ll destroy himBy Imogen Garfinkel2 min read
TheatreElektra review: ‘Oh. Is that it?’Is this a must-see production of the classical work? As Elektra puts it (throughout): noBy John Nathan2 min read
Theatre As Long As We Are Breathing review: ‘poignant but not enough punch’The message that it is possible to replace trauma with inner peace is reassuring, but it is prioritised over the drama of Holocaust survivor Miriam Freedman’s storyBy John Nathan1 min read
FilmSeptember 5 review: ‘superbly constructed account of the 1972 atrocity’Palestinian activists in New York are calling for a boycott of this film, but any movie houses that cave it will be doing viewers a disserviceBy John Nathan2 min read
TheatreOliver! review: ‘has the audience begging for more’Simon Lipkin’s Fagin is the best but not only reason to buy a ticket for this sublime revivial of the masterpieceBy John Nathan2 min read
Dance Dance review: Onegin/Three short ballets‘In the swooping, passionate pas de deux you can see how they both enjoyed extending classical vocabulary in exciting, sensual ways’By Joy Sable2 min read
Jewish theatreLondon transfer and national tour for Fiddler on the RoofThe beloved production is set to take on London’s Barbican before heading across the UK and IrelandBy Jane Prinsley1 min read