Dmitry Ghlukhovsky’s new play investigates how good people can be corrupted under relatively little pressure
By John Nathan
Playwright who wrote his personal trauma into his two most successful plays
By Gloria Tessler
Art playwright Yasmina Reza's play centres on two couples on a spectacular collision course
This could so easily have been a comedy of manners if there was a tweak to the setting
Sam Holcroft’s witty and inventive new play shines a vital light on authoritarian regimes
I cannot remember a show that was so annoyingly written yet so impressively performed as this production about the repercussions of a mother's manic depression
This year's trio of dramas showcasing new talent are thought-provoking and moving but fail to venture out of the comfort zone
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For what’s got British Jews talking
The future of Jewish writing in British theatre is finally looking bright and beautiful, discovers John Nathan
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Dina Ibrahim's new play delves into the history of a Jewish family in Iraq
By Sandy Rashty
Rabiah Hussain’s uneven play exploring the complexities of language drips with righteous indignation
The Cuban ballet icon is certainly an unquestionable force for good
By Joy Sable
A powerful verbatim play which is created from interviews with the residents at the heart of the Grenfell Tower fire
Hersh Ellis’s well-acted production conveys complex arguments about a hot-button issue
Contentious opinions in Kwame Kwei-Armah’s play makes it feel more urgent than ever
Charlie Stemp stars as hapless New York banker Bobby Child in a fizzing, delightful morale booster
Sarah Bernhardt both used and blurred her Jewishness to create the first image of global fame
By Dominic Green
