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Theatre review: Operation Mincemeat

An extraordinary episode from World War Two is the subject of a madcap musical

By John Nathan

2 min read
Theatre review: Operation Mincemeat
A scene from Joseph and The Amazing Technicolor Dreamcoat by Andrew Lloyd Webber and Tim Rice @ London Palladium. Directed by Laurence Connor, (Opening 12-07-2021) ©Tristram Kenton 07-21 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com
Theatre

Theatre review: Joseph & the Amazing Technicolor Dreamcoat

By John Nathan

1 min read
Theatre review: Anything Goes
Theatre

Theatre review: Anything Goes

By John Nathan

1 min read
Theatre review: The Two Character Play
Theatre

Theatre review: The Two Character Play

By John Nathan

2 min read
SOUTH PACIFIC by Rodgers, , Director - Daniel Evans, Set & Costume Designer - Peter McKintosh, Choreography and Movement - Ann Yea, Lighting - Howard Harrison, Chichester Festival Theatre, 2021, Credit: Johan Persson
Theatre

Theatre review: South Pacific

By John Nathan

2 min read
Theatre review: Constellations
Theatre

Theatre review: Constellations

By John Nathan

2 min read
Theatre review: Bach & Sons
Theatre

Theatre review: Bach & Sons

By John Nathan

2 min read

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Theatre review: Under Milk Wood

By John Nathan

1 min read

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June 25, 2021 16:15
Under Milk Wood by Thomas, , Writer - Dylan Thomas, Director - Lyndsey Turner, Set and Costume Designer - Merle Hensel, Lighting Designer - Tim Lutkin, Movement Director - Imogen Knight, The National Theatre, Olivier Stage, 2021, Credit: Johan Persson

Theatre review: After Life

By John Nathan

2 min read

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June 17, 2021 11:54
AFTER LIFE by Thorne, , Writer - Jack Thorne, adapted from the film by Hirokazu Kore-eda concept by Bunny Christie, Jeremy Herrin and Jack Thorne, Director - Jeremy Herrin, Designer - Bunny Christie, Lighting - Neil Austin, The National Theatre, Dorfman, 2021, Credit: Johan Persson/

Theatre review: Death of a Black Man

By John Nathan

2 min read

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June 10, 2021 09:07
Theatre review: Death of a Black Man

Theatre review: Reasons You Should (n’t) Love Me

By John Nathan

1 min read

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June 3, 2021 10:28
Theatre review: Reasons You Should (n’t) Love Me

Theatre review: Cruise

By John Nathan

2 min read

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May 28, 2021 09:26
Theatre review: Cruise

Theatre review: Flight

By John Nathan

2 min read

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May 20, 2021 14:15
Flight Vox Motus / Candice Edmunds / Jamie Harrison / Oliver Emanuel / Caroline Brothers World Premiere Two young orphaned brothers embark on a desperate odyssey to freedom and safety. With their small inheritance stitched into their clothes, they set off on an epic journey across Europe, in a heart-wrenching road story of terror, hope and survival. Renowned Scottish theatre company Vox Motus adapts Caroline Brothers 2012 novel Hinterland, in a magical experience that combines unsettling themes with spellbinding images. Flight brings you up close and intimate to this heartbreaking story in a unique, deeply individual experience. Seated in your own personal booth, you will watch the action unfold on images and models slowly moving in front of you, with speech and music conveyed through your own individual headphones. Mixing graphic novel with exquisite diorama, Flight draws you into its fragile miniature world and allows you to contemplate its gripping story of two children lost in dangerous lands. 4 -

‘Musical theatre is the highest form of art. It’s dazzling...’

By John Nathan

6 min read

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May 6, 2021 12:12
Brocket Hall, Hertfordshire, UK. 16.04.2021. Director, Adam Lenson, on the set of THE SORROWS OF SATAN, which is being filmed for streaming at Brockett Hall, Hertfordshire. THE SORROWS OF SATAN, is a musical play by Luke Bateman and Michael Conley, which is streaming from Wednesday 5 - Saturday 8 May, 2021, then on-demand Sunday 9 - Monday 31 May, 2021 Photograph © Jane Hobson.

Theatre review: A Winter’s Tale

By John Nathan

2 min read

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April 30, 2021 14:54
Theatre review: A Winter’s Tale

Theatre review: Romeo and Juliet

By John Nathan

2 min read

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April 16, 2021 10:53
Theatre review: Romeo and Juliet
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