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Theatre

Review: Sleeping Beauty, English National Ballet

This traditional staging of the popular classic does not disappoint

June 8, 2018 09:26
Rina Kanehara, Daniel McCormick as The Bluebird and Princess Florine in The Sleeping Beauty (photo: Laurent Liotardo)
1 min read

Although his works are primarily associated with The Royal Ballet, Sir Kenneth MacMillan’s ballets are sometimes performed by other British companies, and this revival of his Sleeping Beauty for the English National Ballet coincides with the recent anniversary of his death.

If you want a traditional staging of this popular classic, then ENB’s production will not disappoint. Peter Farmer’s set has an abundance of green foliage – rather too much for my liking – and some of the courtiers’ costumes (by Nicholas Georgiadis) are a little fussy, but the tutus are pretty, with lots of sparkle in the last act.

On the opening night, Aurora was danced by Alina Cojocaru. In Act 1 she looked incredibly young, and her sure technique saw her sail through the perils of the Rose Adage with ease – no wobbles in those tricky final balances.

The wicked fairy Carabosse is, in this production, played by a man. James Streeter, in a large black ruff and red wig, played her like Queen Elizabeth I having a particularly bad day. Surrounded by her retinue of bald, menacing attendants, he made the most of this pivotal role.