DC Moore's new play didn't impress John Nathan
By John Nathan
Miranda Hart is just too nice in the West End's latest musical, says John Nathan
A piece of music written after Benjamin Britten visited Belsen in 1945 is the inspiration for a powerful new ballet
By Jessica Duchen
'I want to make up my own mind', says the eminent playwright.
By Gerald Jacobs
Life of Galileo at the Young Vic is a treat, says John Nathan
Felicity Kendal and Maureen Lipman in a comedy that's the theatrical equivalent of comfort food
Joy Sable reports on Northern Ballet's new production, The Boy in the Striped Pyjamas
By Joy Sable
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Joy Sable gives her verdict on the Royal Ballet's mixed bill at the Royal Opera House
Yael Ferber's new play Salome is unforgettable, but it's not theatre, says John Nathan.
A ceremony held to commemorate an atrocity in a Polish forest inspired Eva Hoffman's first drama.
By Keren David
Tony Kushner's tale of AIDS and politics in 80s America is life-affirming, says John Nathan
Nina Raine’s new play is populated by clever, thrillingly articulate lawyers whose lives are seemingly insulated from the sordid behaviour of the people they encounter in the dock.
This steamy adaptation of the 1943 film noir Ossessione , itself based on the novel The Postman Always Rings Twice, is one of the hottest tickets in town. But does it live up to its advance billing?
Samantha Ellis has written a play about the rabbi recruited by Henry VIII to put a Jewish spin on his case to divorce Katherine of Aragon.
By Samantha Ellis
Actress Debbie Chazen is a revelation in new musical The Girls, says John Nathan. He asked her about her own inspiring story.
Fruity thesp Simon Callow directs an ill-judged production populated by a bevy of actors, stand-up comedians and sitcom performers.