The princess who thought she’d swallowed a glass pianoAlix Sobler's new play is about a peculiarly royal psychological problemBy John Nathan4 min read
Theatre review: A German LifeMaggie Smith is remarkable as Goebbels' secretaryBy John Nathan2 min read
Theatre review: Where is Peter Rabbit?This charming performance stays very true to the original Beatrix Potter tales and is a must-see for young fans of Peter Rabbit, Jemima Puddle-Duck et alBy Jessica Weinstein2 min read
Elliot Levey: ‘Why do I get cast as slimy politicos?’He takes his Judaism and his politics very seriously. But why, he wonders, do directors cast him in certain roles?By John Nathan5 min read
Come From Away wins four Oliviers during theatre's biggest nightThe musical, written by Irene Sankoff and David Hein, is among the big winners at the Royal Albert HallBy Rachel Steinberg1 min read
Dance review: VictoriaThis ballet centres on Queen Victoria's stifling relationship with her daughter, BeatriceBy Joy Sable1 min read
Theatre review: EmiliaEmilia Bassano, long thought to be Shakespeare's muse, was an Italian Jew. But you wouldn't know it from this play about her1 min read
Dance review: Romeo and JulietTake your hankies to this modern classic, says Joy SableBy Joy Sable1 min read
Dance review: FrankensteinGore abounds in this version of Mary Shelley's Gothic classicBy Joy Sable1 min read
Theatre review: WaitressThis musical is as nice as pie...but it's got a soggy bottomBy John Nathan1 min read
Review: Shipwreck, Almeida TheatreFirst Trump play feels familiar in Brexit eraBy John Nathan2 min read
Theatre review: Come from AwayThis musical celebrates an epic act of hospitalityBy John Nathan1 min read