Become a Member
Theatre

Dance Review Swan Lake, English National Ballet

With two very different Swan Lakes on London stages, Joy Sable enjoys this traditional performance by the English National Ballet

January 7, 2019 09:41
English National Ballet in Swan Lake (Photo: Laurent Liotardo)
1 min read

Two very different Swan Lakes are currently on offer in London. At Sadler’s Wells, audiences can enjoy Sir Matthew Bourne’s radical reworking of the classic, while at the Coliseum, the English National Ballet is presenting a more traditional production – and what a delight it is.

Derek Deane has added his own touches to the familiar Petipa/Ivanov choreography, along with a couple of dances by Sir Frederick Ashton. The costumes by Peter Farmer are beautiful, if a little muted in Act I, and the lighting, particularly in the lakeside scenes, adds to the atmosphere.

On opening night, Odette/Odile was danced by the Russian ballerina, Jurgita Dronina. She is a wonderfully vulnerable Odette, hardly daring to believe that Prince Siegfried’s love will save her. Technically assured, she is a cold, calculating Odile, with a lovely extension and extravagant arms. As Siegfried, Isaac Hernandez has remarkable elevation and is a steady, reliable partner.

James Streeter overdoes it as Rothbart, with so much wing-beating, he is more bat out of hell then evil sorcerer.  Plaudits must go to the amazing corps de ballet of swans: immaculately drilled, they move as one; their dancing is a wonder to behold.