Theatre

Dance review: Alice in Wonderland

Joy Sable hails the Royal Ballet's Alice in Wonderland

October 4, 2017 14:06
Edward Watson as the White Rabbit
1 min read

Christopher Wheeldon’s crazily bold interpretation of Lewis Carroll’s famous tale returns to the Covent Garden stage to provide a fitting start to the Royal Ballet’s season.

Less a ballet, more a total theatrical experience, it has become a favourite with audiences since its premiere in 2011, and it is easy to see why.

The set design and costumes are outstanding — one can only marvel at the inventiveness of the multi-award winning Bob Crowley, who has conjured up a colourful Wonderland, playing with perspective and dimension to great effect. For the design alone, this production deserves five stars.

As we follow Alice — beautifully danced by Lauren Cuthbertson at the performance I saw — down the rabbit hole, we encounter an array of strange characters including Fernando Montano’s rubber-limbed Caterpillar and Edward Watson’s flustered White Rabbit. Laura Morera makes a wonderfully deranged Queen of Hearts, careering across the stage in a huge red costume, and parodying Sleeping Beauty’s famous Rose Adage — in this version she stuffs her face with jam tarts instead of collecting roses!

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