John Donnelly’s hybrid play combines the occult with urban social realism
By John Nathan
A chance to get a bit of American pizzazz
By Joy Sable
How good to able to sit in a theatre and with some justification, rather than deluded hope, feel the unashamed urge to cry ‘Come on England’
This athletic Dracula send-up certainly puts the vamp into vampire
The star is ceaselessly flamboyant in Thomas Ostermeier’s staging of the Chekhov comedy
There is much to enjoy in the London premiere of this darkly comic play set in Nazi-occupied Paris, but its premise means it is ultimately unconvincing
By Imogen Garfinkel
The Royal Ballet shines in a classic production
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This is a wonderful resurrection of gilded comedians Tommy Copper, Eric Morecambe and Bob Monkhouse
Having explored a gay couple being attracted to a straight relationship in the play Cock, Mike Bartlett now turns to a heterosexual relationship where a spouse wants a same-sex affair
The granddaughter of the great classical violinist on her first stage play, an adaptation of the 1938 German novel The Passenger
The American President, not known for his appreciation of Shakespeare, won’t watch this, but he should
Jeffrey Sweet delivers a dark play about a previously blacklisted Jewish comic who refuses to let go of the past, even if it’ll destroy him
Is this a must-see production of the classical work? As Elektra puts it (throughout): no
The message that it is possible to replace trauma with inner peace is reassuring, but it is prioritised over the drama of Holocaust survivor Miriam Freedman’s story
Palestinian activists in New York are calling for a boycott of this film, but any movie houses that cave it will be doing viewers a disservice
Simon Lipkin’s Fagin is the best but not only reason to buy a ticket for this sublime revivial of the masterpiece
‘In the swooping, passionate pas de deux you can see how they both enjoyed extending classical vocabulary in exciting, sensual ways’
The beloved production is set to take on London’s Barbican before heading across the UK and Ireland
By Jane Prinsley
Erina Takahashi shines in this ENB production
Let’s hope Nick Cassenbaum builds on the wild success of this fearless Yiddishe heist
Debra Tammer tells the JC that creativity is the best weapon against antisemitism in the arts
By Gaby Wine
This year Patrick Marber directed The Producers, Nachtland and What We Talk About When We Talk About Anne Frank. Were there a Theatre Practitioner of the Year award, it would have his name on it
This kosher show does to the fairy tale what Yiddish theatre once did to the classics, but it is, what is called in both theatre and and tailoring circles, a bit baggy