Director Lucy Moss has given her energetic and hugely entertaining revival a modern-day feel with a smattering of mobile usage
By John Nathan
Nikolai Foster’s Leicester Curve production of Grease is awful mostly because it conforms to every expectation
I just can’t say no to this darkly psychological revival of the classic musical
The second instalment of David Eldridge’s trilogy isn’t quite as compelling as Beginning but it’s good enough to look forward to End
The veteran actor feared his career was over when theatres closed
Mark Rylance is back in the latest revival of Jez Butterworth's groundbreaking play alongside the equally wonderful Mackenzie Crook as his hanger-on mate Ginger
A pioneer nurse meets a noisy end
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Ben Brown's new play is about an unlikely meeting
By Ben Brown
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Deli Segal's one woman show is about a typical young Jewish woman caught between two worlds
By Keren David
Five stars for this challenging play about art
Rafe Spall shines in this excellent adaptation
Last seen on stage as an actor in Leopoldstadt, Alexis Zegerman takes on the genre of the great American family play
John Nathan reviews Jean Cocteau’s experimental telephone monologue
The Weathering, Solo Echo and DGV: Danse a Grande Vitesse are part of a special triple bill by the Royal Ballet
By Joy Sable
In anticipation of... an upbeat musical in which stranded band members promote Middle Eastern harmony
Playwright Alexis Zegerman is walking in the shadow of giants like Arthur Miller with this vivid drama
