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Theatre

Ballet: Cinderella

A welcome summer appearance and original take on the Fairy Godmother makes the ENB's performance stand out

June 12, 2019 09:36
Katja Khaniukova and Jeffrey Cirio in Cinderella in the round.
1 min read

Cinderella is usually standard Christmas fare, so it is good to see it at the Royal Albert Hall now, when it does not have to compete with a batch of Nutcrackers.

English National Ballet has transformed its version by Christopher Wheeldon – originally made for a traditional theatre – so that it has maximum impact in the round, seen-from-all-sides auditorium. The dancers make their entrances and exits in the stalls, so audience members can get a close view of them if they are seated on the aisles.

In this production, the Ugly Sisters are ugly in spirit, rather than in demeanour, and they are danced by women as opposed to men in drag.

What I miss most is the Fairy Godmother, adding her vital touch of magic to the story. Instead we have four “Fates” – a sort of irritating Blue Man Group who appear at various points in the tale to protect Cinderella.

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