It was only ever a matter of time before the stage adaptation of Malorie Blackman’s classic book arrived. The story inverts the way racism manifests itself in our society by making whites second class citizens and Black people the more likely beneficiaries of privilege and prosperity.
However the buoyant goodwill that families and fans will doubtless bring to this production dissipates like air from a deflating balloon as this show makes its joyless progress. Dominic Cooke’s script is solid enough but the laboured messaging of Tinuke Craig’s dour vision apparently forbids such frivolous theatrical devices as humour, colour and wit.
At the core of the story is the childhood, teen and then young adult relationship between deputy prime minister’s daughter Sephy (Corinna Brown) and Callum (Noah Valentine) whose mother used to work for Sephy’s.
Callum is now a rare white Nought in the Sephy’s school, which is mainly populated by well-to-do Crosses. The children’s friendship is under pressure, especially from Sephy’s peers who bully the girl for being loyal to Callum.
The cast of Noughts & Crosses. (Photo: Manuel Harlan)[Missing Credit]
Valentine and Brown are talented, committed performers. However, as Sephy and Callum’s friendship matures into something more romantic, the relationship only belatedly sheds child-like mannerisms even as as their society’s inequalities trigger violent action.
The set is another false step. The action takes place on, around and under a rusting steel construction (design Colin Richmond) that is presumably intended to illustrate a dystopic society. Yet the design ill serves the various locations of the plot, especially Sephy’s privileged family home and the nearby private stretch of coastline her family owns, where she and Callum secretly meet.
Despite all this, Blackman’s vision continually provokes us to examine where in the real world we might have failed to notice or act on the racism that exists under our noses. Though presumably this is most powerfully the case for the Noughts in the audience. Crosses already knew.
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