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Dance review: Royal Ballet

Contemporary works for a come-back show

May 20, 2021 15:26
Within The Golden Hour 2019, Tristram Kenton ROH.jpg
A scene from the Triple Bill, Within The Golden Hour, Medusa and Flight Pattern by The Royal Ballet @ ROH (Taken 03-05-19)
1 min read

The Royal Ballet has made a welcome return to the Opera House stage with an intriguing mix of contemporary works. Within the Golden Hour by Christopher Wheeldon kicks off the evening, and what a gem of a ballet it is. The dancers, in shimmering costumes by Jasper Conran, rise and fall in beautiful patterns, to music by Ezio Bosso and Vivaldi. Wheeldon works within the classical vocabulary but there is always room for surprise: feet suddenly flex; arms become angular – it is original and familiar at the same time. Praise should go to Peter Mumford, for the wonderfully atmospheric lighting.

 

The programme continues with Optional Family: A Divertissement by Kyle Abraham. Before the curtain rises, the audience hears a couple talking, and it is not very complimentary: “You bore me”, “If only I’d listened to my mother and married someone of substance”. We then see the dancers: Natalia Osipova (speedy and intense), Marcelino Sambe and Stanislaw Wegrzyn at some sort of relationship crossroads. The work poses more questions than it answers.

 

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