Books: Anne Frank tributes that steer clear of what is needed

Why re-tell Anne Frank’s Diary? And why in the form of a cartoon strip (especially when something similar has already been done)? To appeal to the young? That might have been a clever idea 30 years ago, when Art Spiegelman produced his brilliant Holocaust graphic novel Maus, in a pre-internet world. Today, it’s a cliché. Folman and Polonsky’s Anne Frank’s Diary, The Graphic Adaptation manages to be mawkish, boring and irrelevant. If you want to read the Diary, read the Diary. Young people might conceivably respond to an Anne Frank app, but this book is probably as remote to them as a gramophone record.

Gillian Walnes Perry’s book is more interesting. It surveys — though not in a scholarly way — how Anne Frank’s memory has been put to use in the decades since her murder. It could perhaps more accurately be described as a long list of places, groups and individuals who have encountered the work of the Anne Frank Trust (set up by Ms Walnes Perry) and a variety of Anne Frank exhibitions and activities. Mixed in are personal recollections and anecdotes, many relating to famous people. 

The book has no real organising principle: the chapters could be read in pretty much any order. The chapter headings boast large claims: Anne had a role in the transition from Communism; she sustained Nelson Mandela so he could end apartheid; she helped to bring peace to Northern Ireland and comfort to the children of Bosnia. In most cases, the claim is somewhat exaggerated. Sceptics will need more convincing as to how small travelling exhibitions can drive such major political and moral changes. 

The Legacy is a completely uncritical history written under the assumption that just about anything associated with Anne Frank’s memory brings healing to a wounded world. This may be true or it may not. For the author, it seems to be an article of faith.