Opinion

What Frederick Forsyth grasped about antisemitism and Israel

Re-reading The Odessa File, I was struck by his deep hatred of Nazism and support for the Jewish state

September 25, 2026 14:51
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The cover of Frederick Forsyth's 'The Odessa File' (Courtesy)

At the beginning of the month I was invited to see the play Wiesenthal by Tom Dugan at Wilton’s Music Hall in east London – a stone’s throw, if that is an appropriate phrase, from Cable Street – but I found myself unable to go. But it set me off thinking about the first time I heard the name of the legendary Nazi-hunter: and that would have been in the pages of Frederick Forsyth’s second novel, The Odessa File, and I would have been about 12. (Everyone was reading it, and its predecessor, The Day of the Jackal.)

Because it was so very long ago when I was 12, I had forgotten all but the barest bones of the plot, which involves a secret group dedicated to getting ex-SS officers out of Germany, and a concentration camp commander known as “the butcher of Riga”. I thought I’d re-read it, just for the heck of it.

Revisiting the book for the first time in half a century gave me more of a jolt than I expected. It starts like this: a Hamburg journalist comes across the diary of a 56-year-old Jew, who looks 76, and has (and only as I type these words do I realise the savage irony) gassed himself in his flat on (coincidentally) the night of JF Kennedy’s assassination. The journalist finds his diary of his times in a concentration camp in Latvia, which also contains the reason for his suicide: he was a Kapo, and was forced by the Commandant to kill his wife. He can’t live with this any longer. He also feels he can’t go to Israel: he feels too morally stained. I remember being moved, almost as physically as you can be by a punch to the stomach, the closing words of the diary: “But if ever these lines should be read in the land of Israel, which I shall never see, will someone there please say khaddish for me?” Because I am not Jewish, I didn’t have the faintest idea what “khaddish” meant, but I got the gist, and somehow these words kind of rammed home the ultimate horror of the Holocaust. When I re-read those words I felt that punch to the stomach again.

Forsyth was more of a storyteller than a writer, but he put in as many factual elements as he could to make the story plausible. One such factual element was Wiesenthal, who appears as a character: for which, presumably, he had given permission. (The Riga camp commander, whose name I will not utter, was also a real person.) The striking thing about the novel, though, was that Forsyth, who in his later years portrayed himself as a growling mastiff of the establishment Right, was clearly motivated by a deep hatred of Nazism, and genuine anguish at what happened to the Jewish people as a result of it. There was a moral clarity to the book; and now I come to think of it, it’s partly because of this early exposure to the evil of the Holocaust that I write for this paper today.

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