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Opinion

The Jewish Atheist is a part of the story

December 2, 2012 20:58
4 min read

Vayishlach 5773

Unresolved endings have long been a feature of literature and film. When Charles Dickins first wrote Great Expectations, a friend complained that the ending was too sad, Pip resigning himself to a single life and Estella marrying someone else. So Dickens wrote another much happier and sentimental ending. Now the writer of the new screenplay, David Nicholls has written his own ending in which Pip and Estella end up together but not so clearly happy.

On radio 4’s Today programme yesterday morning, Sarah Montague introduced a discussion asking whether it is okay to “mess around with the ending of a book” in particular to tie up loose ends. The theatre director and journalist, Imogen Russell Williams argues that she likes such an ending so that her mind is not left like a ‘pin-ball machine, zinging away’ with all the potential endings. She admits that this is a rather ‘lazy’ path. Crime writer, Mark Billingham, suggests that the ending that the original writer commits to is precisely what they want, if so, to leave it unresolved and to leave us with a degree of discomfort.

Both contributors sympathised with the other’s thoughts and I have often felt satisfaction with a conclusive ending and dissatisfaction when that ending is not as I would have wished. The inclusive ending has left me with sleepless nights and for days mulling over the myriad permutations with which one could finalise the tale. Although the latter is a more difficult, brain energy-sapping approach, it generally has longevity over the closed canon.