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By

Naftali Brawer

Opinion

How we can believe in something even when we can’t see it for ourselves

The JC Essay

July 5, 2012 12:22
7 min read

I recently visited the Hayward Gallery in London to see a new exhibition entitled Invisible: Art about the Unseen, 1957 -2012. While, to many, the term "invisible art" would appear to be an oxymoron, this exhibition explores the work of a unique group of artists, starting with the Frenchman, Yves Klein, in the 1950s, who began to conceive of and produce art that cannot been seen, only imagined.

Those looking for an aesthetic experience will come away from this exhibit with the impression that the emperor is well and truly naked. However, for those interested in the intersection of art and existentialist philosophy, this is a show not to be missed.

What artists such as Klein, Bruno Jakob, Gianni Motti, Tom Friedman and others were trying to do with their work was raise the question of what is reality, and look at how our perceptions, expectations and biases play a role in shaping reality. Take, for example, a piece by the Swiss artist, Bruno Jakob.

The viewer sees a large, framed, blank sheet of paper with barely perceptible creases. It portrays nothing and yet paradoxically it is capable of portraying absolutely anything at all that one chooses to project on to it. No two people who stare at it will "see" the same image on this paper. What is reflected back to us is what we project on to it and our projections are intensely subjective and personal.