Become a Member
Obituaries

Obituary: Luisella Ottolenghi Mortara

Art historian who combined the study of Jewish illuminated manuscripts with documenting the Shoah in Italy

November 30, 2017 09:26
credit Archivio CDEC, fondo fotografico Luisella Mortara Ottolenghi
2 min read

Studying the past doesn’t exclude being fully involved in the present, as the life of Luisella Ottolenghi Mortara, who has died aged 87, demonstrated. An art historian who specialised in illuminated manuscripts, Ottolenghi Mortara is credited with almost single-handedly reviving interest in the wonderful illuminations featured in many Jewish biblical manuscripts from the Middle Ages. 

Not only did she unearth a treasure trove of masterpieces often lying forgotten on dusty library shelves, she also made a point of finding out the stories behind the works. In so doing she brought back to life the people and communities who had commissioned and manufactured them and succeeded in creating a snapshot of their era. She also discovered intriguing connections between Christian and Jewish illuminations.

Ottolenghi Mortara applied the same painstaking research and lively curiosity to her other passion, her work for CDEC – the Milan-based Jewish Contemporary Documentation Centre. A non-profit organisation, it aims to promote the study of Jewish history, culture and society, with special emphasis on Italy. As CDEC president from 1980 to 2004, Ottolenghi Mortara helped it strengthen and internationalise its research function. One of her proudest moments was the publication in 1991 of the Book of Memory, written by one of her close collaborators, Liliana Picciotto.

Luisa Bona (Luisella) Ottolenghi was born into a family that had been active in Italy’s fight for independence in the 19th century. She was the daughter of Ada Valabrega and Guido Ottolenghi, who would later conduct his own fight against fascism and would instil in his daughter the desire to strive for a better society.

To get more news, click here to sign up for our free daily newsletter.

Editor’s picks