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What my week at Eurovision taught me about antisemitism, Europe and Israel

A week in this year’s Eurovision host city revealed a thriving Jewish community and unyielding Jewish pride

May 19, 2025 15:16
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A man waves an Israeli flag in front of protestors attending a demonstration against Israel's candidate prior to the grand final of the Eurovision Song Contest 2025 in Basel on May 17, 2025. (Photo by SEBASTIEN BOZON/AFP via Getty Images)
6 min read

There is a familiar smell in the air at the Chabad Lubavitch centre in Basel. It’s the night before the Eurovision Grand Final and rebbetzin Dvora has cooked a feast for the 20-odd blow-ins seated around the dinner table: chicken soup, gefilte fish, roasted aubergine, salmon, salad, and fluffy rolls of challah. If I close my eyes I may as well be in my grandmother’s kitchen.

But the same is probably true for the two dozen Jewish strangers around this Shabbat table, some of whom are Swiss, some Israeli, some American, most here in Basel for the Eurovision Song Contest, like me.

In this Swiss city, where Theodor Herzl chaired the First Zionist Congress and “founded the Jewish state,” as he wrote in his diary in 1897, and where some 2000 Jews currently reside, it feels only natural that I should end up at Rabbi Zalmen Wishedski and his wife Dvora’s Shabbat table.

Theodore Herzl, the father of modern Zionism, leans over the balcony of the Hotel Trois Rois during the first Zionist congress August 29, 1897 in Basel, Switzerland. (Photo by GPO via Getty Images)Theodore Herzl, the father of modern Zionism, leans over the balcony of the Hotel Trois Rois during the first Zionist congress August 29, 1897 in Basel, Switzerland. (Photo by GPO via Getty Images)Getty Images

Last week Basel hosted 200,000 visitors for the 2025 Eurovision Song Contest – more than the population of the city itself – and was, at least temporarily, overtaken by two parallel attitudes. The foremost was one of joy, the sort you’d expect to find in a city celebrating the colourful, campy, unifying festival that is Eurovision, and the other was one of vociferous opposition, driven by anti-Israel activists who view the European contest as an “artwashing” platform for the "genocidal,” propaganda-pushing Israelis.