From the viewpoints of its three protagonists, ‘The Unworthy’ is a credible depiction of its tough working-class world
July 31, 2025 10:08
If one of the most notorious pitfalls in writing historical fiction is retrofitting – the jarring imposition of contemporary knowledge and mores onto the past – then Norwegian novelist Roy Jacobsen sidesteps it adroitly in The Unworthy.
The story of a gang of boy criminals in Norway under Nazi occupation is told chiefly from the viewpoints of its three main protagonists: the resourceful Carl, the brilliant but curiously detached Roar (who today we might describe as neurodivergent, although the concept is, in keeping with the mode of the book, never mentioned), and the gang’s self-assured leader, Olav.
We see what they see; we know what they know. Everything else, we must bring to the narrative ourselves.
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This is what makes The Unworthy so credible a depiction of its world, a tough working-class Oslo neighbourhood, doubtless similar to the one in which Jacobsen himself was a teenage gang member a generation later. Theirs is a street-level view, driven by cunning, subterfuge and quotidian survival. They will steal anything that isn’t nailed down and plenty that is, including a bench from a tram stop in a more elegant district that they turn into a local amenity, for they are community-minded in their own instinctive way.
The Nazi occupiers are felt more than seen, a shadow on the land, another layer of authority around which to manoeuvre. The disappearance of their Jewish acquaintances; the fear of Olav’s father Arne, nicknamed “Not-a Jew”, that he might be thus mistaken: these – to the boys – curious or comical facts represent the extent to which the Germans impinge upon their lives.
This will change, so gradually that the boys themselves barely understand why or how they move from the mass of the population that, while not collaborating, “ducks the neck” beneath the invader, to the minority that resists it.
As with so much else in their lives, it is a status they inherit, with no clear understanding of their own motives beyond the growing sense that here is an enemy to be actively sabotaged rather than dodged. Their criminal careers – which, like those of so many petty delinquents, will slowly become both serious and deadly – dovetail with their resistance; neither they nor the reader can ever be quite sure which is which.
Jacobsen does not glorify nor damn his characters, all of whom, major and minor, shabby or grasping or altruistic or sometimes all three, feel authentically human, never ciphers to carry an idea. This, along with his scrupulous refusal to admit the future into their continuous present, makes for a book whose exacting worm’s-eye verisimilitude is altogether convincing.
The Unworthy by Roy Jacobesen
Trans by Don Bartlett and Don Shaw
Maclehose Press
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