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Review: Out Of The Shadows: A Life Of Gerda Taro

The fanciful view of a tragic war photographer

January 29, 2009 11:29
Taro and Capa, by Fred Stein.  Above: Republican casualty, by Taro

By

Julia Weiner ,

Julia Weiner

1 min read

By François Maspero (Trans: Geoffrey Strachan)
Souvenir Press, £12

Gerda Taro died while photographing a battle during the Spanish Civil War in 1937, just days short of her 27th birthday. Celebrated as the first woman to photograph a battle from the front lines and the first to die covering a war, within a short period her name had been all but forgotten, only mentioned in conjunction with her partner and lover, Robert Capa.

As most of their photographs were stamped with both of their names, there were problems of attribution surrounding her work. But, after the successful exhibition at the Barbican which concluded last week, she has well and truly emerged from the shadows.

François Maspero’s slim biography of Taro is heavily dependent upon his novelist credentials, which reveal themselves in the first chapter, in which he imagines that Taro did not die in Spain and that he meets her as an old woman in Paris. His invented future for her includes a status as a famed photographer of cats. He decided on cats, “perhaps because they are reputed to have nine lives. I owed her that at least”.

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