ByAnonymous, Anonymous
James Joyce and Italo Svevo: the Story of a Friendship By Stanley Price
Somerville Press, £14
Reviewed by Stoddard Martin
The career of James Joyce has been familiar to students of serious literature since the publication of Ulysses by a niche bookseller in Paris in 1922. Less so is that of his friend Italo Svevo, nom de plume of Ettore Schmitz, a experimental writer 19 years Joyce's senior. Svevo's career seemed doomed to the oblivion of neglected self-publication until Joyce made an effort to promote it.
This in itself is remarkable. Joyce ranks near the top of any list of "geniuses" whose obsessive ambition blinds them to others' needs. During his decade of teaching English in Svevo's native Trieste, he begged endless handouts from his sometime student; and even after Ezra Pound had started him on his way to literary stardom and assured patronage, Joyce's requests for assistance continued.
Svevo was good-natured about this, as about all things, despite dejection over his obscurity as writer. Embodying three of the four ethnicities which made up Austro-Hungary's port - German, Jewish and Italian (only Slavic missing) - he had married into a family which held the sole formula for anti-corrosive maritime paint, and thus spent his days administering contracts with the world's major shipping firms and five of its six leading navies - a role which led to his living in Charlton, south-east London, for a while. His friendship with Joyce grew out of a businessman's need for a language coach who did not bore him.
A common passion for literature led the pair to an intimacy which many believe inspired the nexus between the young Irish genius Stephen Dedalus and the genial Jewish businessman Leopold Bloom in Ulysses.
A similar age difference to Joyce and Svevo as well as many character traits support the thesis - nor are connections restricted to Joyce's most famous novel. By his own admission, Joyce memorialised Svevo's wife's name and glorious tumble of hair in the "heroine" presiding over his later, verbal extravaganza, Finnegans Wake.
It was during his extended labours on Finnegans Wake that Joyce received a plea from Svevo for help in getting notice for his most recent self-published novel. Joyce was now living in Paris and a victim of failing eyesight, exacerbated perhaps by his delight in drink, but he did not hesitate to muster every critic whom his newfound celebrity could command.
Svevo's Confessions of Zeno was lauded and its author thus able to enjoy a few years of being lionised as "the Italian Proust" before his heart gave way following a road accident - an end perhaps hastened by the addiction to smoking which he, like his eponymous protagonist, could never give up.
Stanley Price's book may add little to the tower of Babel of Joyce studies but, like Svevo's work, it is readable, amusing, measured and humane.
It is also highly informative on the effects of world war and subsequent irredentist upheavals in Trieste and its hinterland, and how two dedicated literary adventurers, one Jewish and the other an "enemy alien", managed to cope with them.
Stoddard Martin is a writer and publisher