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Doom with a view

A new biography of the most introspective of modern minstrels could well be the definitive version

November 23, 2012 12:27
Leonard Cohen

By

Jenni Frazer,

Jenni Frazer

2 min read

I imagine most Leonard Cohen devotees will approach this book with an equal mix of fear and loathing. I know I did. Or perhaps that should be fear and loving. Cohen, like his fellow Jewish singer-poets Bob Dylan and Paul Simon, has attracted such a wealth of discussion, dissection and opinion that it was hard to believe that rock journalist Sylvie Simmons would have found anything original to mine from this well-trodden path.

It goes: Jewish-Canadian, middle-class upbringing in Montreal; learns guitar to attract women; goes to live on the island of Hydra in Greece; makes debut in the rock world at behest of Judy Collins; writes hundreds of doom-laden songs and attracts devoted train of cult followers, many of whom record cover versions of his songs; becomes Buddhist monk; while he is living in Buddhist monastery in California, his manager rips off his entire life savings, causing him to come down from the mountain and begin new world tour.

At 78, Leonard Cohen is one of the most venerated of singer-songwriters and, though he is not often interviewed, sufficient has been written over the years to suggest that there was little more to say.

But Simmons has done a bang-up job in this comprehensive and well-written biography. Hers, I think, will be the benchmark in Leonard Cohen studies, providing an exhaustive (and at times exhausting) catalogue of every poem, song, studio appearance, recording, band — and woman.

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