Review: Leonard Cohen

But as he jogged on stage with a beaming wide grin, there was no evidence of anything but his desire to perform.

Of course, it would have been a struggle for him to disappoint the assembled dedicated fans, who ranged from the legendary Canadian’s contemporaries to those who could be his grandchildren.

Though some of the saxophone riffs in his songs from the ’80s sounded a  little dated, Cohen’s repertoire by and large stands the test of time. Backed by a large band of talented singers and musicians, he surpassed expectations, fitting in all of his essential songs, from Chelsea Hotel to Suzanne to First We Take Manhattan.

Cohen’s abilities as a songwriter and lyricist have always more than compensated for his less-than-excellent singing voice. This was particularly evident when he performed A Thousand Kisses Deep without backing music, reciting the lyrics in his sonorous speaking voice, a reminder that before he began to set his words to music he had already been recognised as one of Canada’s most gifted young poets.

Hallelujah is constantly covered by musicians who are far better singers than Cohen, but this was rendered moot as Cohen performed it himself, drawing tears to most of the eyes of his captivated audience.

He is due to perform again in London in November — not to be missed.