Books

Will Self: What inspired me to write this book? The Glasto crowd chanting ‘Death to the IDF’

Twenty years on from his public resignation as a Jew, the novelist explains where he stands now

March 25, 2026 13:59
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One-state solutionist: Will Self and his new book
6 min read

I am not interested, David, in sales,” says Will Self. “I’m interested in readers.”

Numerous times during our interview, he will drop in my name in this way, the way a consummate salesman might. I say “interview” but, in honesty, that is to misrepresent the course of the meeting. And if there is one thing Self wishes to insist upon at this moment – this dangerous moment in our world, and this dangerous moment in his life – it is honesty. Self is a very ill man, undergoing treatment for the blood cancer secondary myelofibrosis, and the looming possibility of his own demise has concentrated his mind.

Our lopsided dialogue is more an epic disquisition on his part, as well as an inquisition by him of me. Much like his latest novel, The Quantity Theory of Morality, his conversation operates as a series of fractals, each idea spiralling off into a multitude of variations, underpinned by fierce intelligence and a formidable breadth of reading. His long and now immuno-compromised frame initially folds itself more or less upright into an armchair in his front room. More than two hours later, he is crumpled over it, listing sideways close to horizontal, his body capitulating as his mind defiantly fizzes and pours out words, and his justly concerned wife, the French Armenian writer Nelly Kaprièlian, checks on him under the pretext of replenishing tea and biscuits.

Written with his usual hyperventilating mordancy, The Quantum Theory of Morality intentionally comes full circle on his first book, the 1993 short story collection The Quantity Theory of Insanity. Yet it enters a very different world of letters; one in which, he says, “the literary novel is no longer at the cultural centre. So if I wanted to get any attention, I had to do a Lazarus and pick up my bed and start giving interviews.” It starts off as though anticipating the product of a Language Learning Model tasked with repeatedly rewriting the same Hampstead novel about a collection of middle-class friends, some Jewish, and unfolds into a dystopian picture of a Britain abruptly collapsed into antisemitic totalitarianism that is at once bitterly funny and horribly credible. The atmosphere and detail are just right. The only false note is struck by this urgent Jew obsession emanating not from the left, but from the populist/neo-fascist right, which one might argue is presently more preoccupied with what one of the book’s characters calls the “blacks and browns”.

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