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Ute Lemper: Singing the songs that the dead left behind

German singer Ute Lemper is giving a very special concert at JW3

May 3, 2018 12:21
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2 min read

In the 1990s the German singer Ute Lemper became a lynchpin of a ground-breaking series of recordings on the Decca label entitled Entartete Musik. It explored composers banned by the Nazis, including much music that had scarcely been heard for decades. Lemper, whose sultry stylishness often seems to channel Marlene Dietrich, set alight the songs of Kurt Weill and Bertolt Brecht, Mischa Spoliansky, Friedrich Hollaender and others for a new generation. Now she is back, exploring even darker territory. On May 22 she brings Songs for Eternity to JW3: a programme of songs written in the ghettos and concentration camps.

“It’s one of my most serious, researched and heart-breaking projects,” says Lemper, who originally developed it for the 70th anniversary of the liberation of Auschwitz in January 2015. It began when she met the musicologist Francesco Latoro; researching songs written between 1942 and 1944 in the concentration camps, he encouraged her to explore them. “Also, I had had a book on my piano for 15 years Songs Never Silenced,” says Lemper. “It was given to me by an Israeli Mexican promoter: a collection of songs written in the ghettos.”

“Some songs reflect life behind barbed wire or the ghetto walls. Some are very sad, for instance about the assassination of the children in the ghetto. Others are songs of hope, songs of rebellion even if sometimes the only rebellion lies in hope. One famous song Stille, stille says that rebellion lies in keeping quiet about the hope we have in our hearts.” Most are in Yiddish: “I have a good friend, a rabbi, who taught me the various different accents and heritages of Lithuanian, German and Polish Yiddish.”

One of the most devastating histories is that of Ilse Weber, a writer who set her own poems to music. Transported to Theresienstadt from the Prague ghetto, she became a children’s nurse and eventually went with her young charges to the gas chambers in Auschwitz. “She knew the shower rooms would be the path to death,” says Lemper. “She said to them: ‘Let’s get into the shower rooms, breathe deeply and sing as loudly as we can,’ because she knew that with the deep inhalation of the gas, the agony of dying could be shortened. Until the last moment she wanted to do something good.”