Anti-Zionism - facts (and fictions)

Criticism of the Jewish state can often stem from an anti-Jewish state of mind, even when the the critics are Jews


By Howard Jacobson, July 28, 2010
Follow The JC on Twitter

Every other Wednesday, except for festivals and High Holy-days, an anti-Zionist group called ASHamed Jews meets in an upstairs room in the Groucho Club in Soho to dissociate itself from Israel, urge the boycotting of Israeli goods, and otherwise demonstrate a humanity in which they consider Jews who are not ASHamed to be deficient. ASHamed Jews came about as a consequence of the famous Jewish media philosopher Sam Finkler's avowal of his own shame on Desert Island Discs.

"My Jewishness has always been a source of pride and solace to me," he told Radio Four's listeners, not quite candidly, "but in the matter of the dispossession of the Palestinians I am, as a Jew, profoundly ashamed."

"Profoundly self-regarding," you mean, was his wife's response. But then she wasn't Jewish and so couldn't understand just how ashamed in his Jewishness an ashamed Jew could be.

That I know of, there is no Jewish media philosopher named Sam Finkler nor any anti-Zionist group meeting regularly at the Groucho Club. They exist only in the pages of my new novel, The Finkler Question, and any relation between them and real people or organisations is of course coincidental.

For many Jews and non-Jews in this country, Israel has become a figure of speech

Though the ASHamed Jews are a satiric invention, my novel is not primarily a satire. It is a bleak tale of love and loyalty and the loss of both. It tells of three men, old friends, two of whom have recently lost their wives, and a third who has no wife to lose.

The widowers are Jewish, the third man is not. But he would like to be. He envies his Jewish friends their warmth, their cleverness, the love they have inspired, and even their bereavement.

It is a bitter irony that he protests his admiration for all things Jewish just as many Jews are protesting their desire not to be Jewish at all. As the rats desert the sinking ship, he alone - it might appear - is left to clamber aboard.

The ostensible cause of these defections is, of course, Israel. Not the actual Israel. For the purposes of my narrative, Israel exists only poetically, in the imaginations of those who cannot adequately describe themselves without it.

I happen to think this is largely true outside my novel as well: that Israel performs a function greater than itself, enabling or disabling ideas about belonging and disengagement, fanning the flames of ancient allegiances and animosities. For many Jews and non-Jews in this country Israel has become a figure of speech, the occasion for wild and whirling words, a pretext for bottling up or setting loose emotions which originate somewhere else entirely.

I began writing the The Finkler Question in 2008 but it came to the boil for me in the early months of 2009 at the time of Operation Cast Lead, as a consequence of which, or as a consequence of the reporting of which - for it, too, like everything else to do with Israel outside Israel, was figmentary - England turned into an uncustomarily frightening place for Jews.

I am not speaking only of the physical threats and even damage that some Jews endured, attacks on persons, synagogues, cemeteries, the Jew-hatred expressed by primary school children etc, but of that anti-Zionist rhetoric which, in its inflatedness and fervour - a rhapsodic hyperbole growing more and more detached from any conceivable reality - was so upsetting in itself.

You do not have to be punched in the face to feel you've been assaulted: intellectual violence is its own affront.

The mood of those months inevitably found its way into my novel. I wanted to record what it was like being Jewish in this country then, when it seemed reasonable to ask whether loathing of Israel would spill into loathing of Jews - such a thing is not beyond the bounds of possibility - and whether a new Kristallnacht was in the offing.

Since many German Jews doubted they were in serious danger in the 1930s, how wise would it be of us to doubt we were in danger now? Ah yes, we told one another, but England is not Germany. The only trouble with that consolation being that, in the 1930s, German Jews didn't think Germany was Germany either.

There was, as there remains, a chorus of jeering Jewish voices warning against crying wolf. There is no antisemitism to speak of in this country, they say, but if we continue to go on about it. . . A fatuously contradictory precaution, since if antisemitism can be roused from its slumbers merely by our going on about it, then its sleep cannot be that deep.

Let's get something out of the way. I don't think that being critical of Israel makes anyone an antisemite. Only a fool would think it does.

But only a fool would think it follows that criticism of Israel can never be antisemitic, or that anti-Zionism isn't a haven in which antisemitism is sometimes given leave to flourish.

In some cases, the antisemitism to which anti-Zionism gives succour is inadvertent. I'd be surprised if Caryl Churchill, author of that odious piece of propaganda, Seven Jewish Children, turned out to be antisemitic in her person. But language has a mind of its own, and sanctimoniousness is catching.

In its unquestioning affiliations, her poisoned playlet snagged on every cliché in the anti-Zionist commonplace book and came up with a medieval version of the blood-sucking Jew whom she claims -and I believe her - it was never her intention to portray.

If her play was a sin against art and history, her greater, person-to-person crime was not to see, after the event, what she had done.

She was the victim, she asserted, of the usual dishonest strategy of accusing anyone of antisemitism who "dares" (as though it takes heroism) to say a word against Israel.

We know this assertion of victimhood well. It is a despicably dishonest strategy in itself, self-aggrandising, delusional, and not without a trace of the very antisemitism it disowns in that it assumes hysteria and malice on the part of every Jew who voices an anxiety. By claiming to be a persecuted minority, vilified by Jews shouting "Antisemite!", those to whom anti-Zionism is bread and drink seek to exempt themselves from fair criticism.

Indeed, by the sophistry of their reasoning, there is no fair criticism of what they say because every one who argues against them must, ipso facto, be a Jew with a Zionist axe to grind. Thus do those who cry "Blackmail" become blackmailers themselves. Thus do they erect a wall of inviolability around their every expression of anti-Zionism, and thus do they think themselves exonerated of all possible charges of antisemitism, since those who do the charging, they assert, have antisemitism on the brain.

When it comes to Jewish anti-Zionists, their Jew-hatred is barely disguised, not in what they say about Israel but in the contempt they show for the motives and feelings of fellow-Jews who do not think as they do. There is, of course, nothing new in such schismatics; Jews have been railing against one another and indeed against Judaism from its inception. It was a Jew who invented Christianity.

Monotheism probably explains this enthusiasm for dissent. The Jewish God demands a oneness it can feel like a positive duty to refuse. It might even be to our greater glory that we splinter with such regularity and glee. In our variousness is our strength.

But then let's call the thing that drives us by its proper name. Hiding behind Israel is a cowardly way for a Jew to express his anti-Jewishness. That half the time he is battling his psychic daddy and not his psychic homeland I don't doubt, though I accept that, in political discourse, we have to pretend that what we are talking about is what we are taking about.

But here is the beauty of being a novelist ---- I can have fun ascribing pathology to whom I like. I know what's really bothering them. They are my creations, after all.

Howard Jacobson's 'The Finkler Question' has been included on the 2010 Man Booker longlist.

Last updated: 2:24pm, August 13 2010

POST A COMMENT

You must be logged in to post a comment.