By John Nathan, June 13, 2008
Lyttelton, National Theatre, London SE1
Michael Frayn’s new play is stalked by mortality. It comes in the form of Death, the character in the morality play-within-a-play staged by Frayn’s hero, Jewish impresario Max Reinhardt, creator of the Salzburg Festival. And mortality is also present in the form of Muller, the Austrian Everyman, a sinister presence as Reinhardt’s success is matched by that of the Nazis.