The London stage currently boasts two of Shakespeare's most alpha males, each played by a Hollywood leading man. While, at the Noel Coward, Jude Law's Henry V lays siege to the French town of Harfleur, at the Donmar, the one-man army that is Tom Hiddleston's Caius Martius storms the Italian city of Corioles. These two come hardish on the heels of James McAvoy's battle-hardened Macbeth.
Matt Smith packs more defined pecs than you might expect of a former Doctor Who. The ripped torso rises out of the Almeida's stage as smoothly as a cassette ejecting from a high-end, late-20th-century tape deck.
Religion and Anarchy
Jermyn Street Theatre, London SW1
Hampstead Theatre, London NW3
I have never been one of those who think the Holocaust should not be depicted on stage or film. Whether the primary purpose of a play or movie is to inform, warn against the depraved depths to which people and their dogmas sink, or even to entertain, the Shoah is a legitimate theme.