In a 2006 South Bank Show documenting Steve Reich's career, presenter Melvyn Bragg described him as being "one of the major players in contemporary music since the 1960s. His particular style has marked him out as a composer of rare invention and originality".
'Be careful with the title. There's no 'The'," Tobias Picker tells me.
I've caught up with the American composer while he is in London to prepare for the latest production of his family opera, Fantastic Mr Fox. Based on a story by Roald Dahl, it is a work that has captured the hearts of audiences of all ages, on both sides of the Atlantic.
Interviewing the Jerusalem Quartet is almost impossible. It has taken many months and a series of increasingly frantic emails to track down the ensemble's first violinist, Alexander "Sasha" Pavlovsky, at his home in Jerusalem. The elusiveness has nothing to do with an aversion to the media.
Chase & Status are undeniably the dance production duo of the moment. Their debut album, More than Alot rocketed into the UK chart at number 2, they have had two top 10 singles, and praise from r'n'b and hip-hop royalty such as Rihanna and Jay-Z.
The prevailing wisdom is that following in the footsteps of a famous father can be dangerous, particularly when your father was Benny Green, the beloved jazz saxophonist, writer and broadcaster who died in 1998.
The violinist Ruth Waterman should probably be a household name, such is the quality of her musicianship. But perhaps that is also the reason she isn't. Throughout her career she has chosen a route more individual than the mainstream concert circuit, one that has allowed her to focus in earnest on her first great passion - the music of Bach.
In the song Wamp Wamp (What It Do), American rapper Malice refers to a Jew who is a "tightwad". Malice, with his brother Pusha T, comprises the acclaimed hip-hop duo The Clipse. Since they specialise in overblown stories of crime escapades, the "tightwad" line is fairly tame in comparison to much of their other material, but it still stands out as a stark example of casual antisemitism.