This collection of short stories will shake your expectations of the little-gem fictional form. The American Innovations of Rivka Galchen, Oklahoma-raised daughter of Israeli immigrants, are as original, particular and digressive as her provenance. They deliver a delicious blend of desolation and deadpan, laugh-aloud drollery.
Gabriel Josipovici's qualities of thought and craft put him near the top among writers of his generation. His range and productivity in novel and essay are vast, and he is fortunate to have a publisher who understands the importance of the slight and the experimental within a finished oeuvre.
Upstairs at the Party is Linda Grant's sixth novel. It contains many of her familiar preoccupations - a family secret, second-generation Jewish heroines from Liverpool, the relationship between surfaces and depths - but it also differs markedly from her previous work.
There seems to be an insatiable appetite for books about Sigmund Freud, despite the displacement of psychoanalysis as a practice of psychotherapy by cognitive behaviour therapy and other hybrids combining talking, thinking and doing.
Exploring the relationship between mothers and daughters is a well-mined seam, resulting in gems such as Louisa M Alcott's Little Women and Susan Chitty's painful account of her mother, the novelist Antonia White.
Joël Dicker became Europe's publishing sensation of 2013 when his book La Vérité sur l'Affaire Harry Quebert sold more than a million copies in France. Now an international bestseller, it is likely to be the top holiday read this summer.
Dicker's novel is the story of two writers. Marcus Goldman is (like Dicker) still in his 20s.
Cecil Helman, who died in 2009, was a South African-born, Jewish, London GP and anthropologist, recognised for his textbook, Culture, Health and Illness, and particularly for his autobiographical volume, Suburban Shaman, published in 2006.
Between 2009 and 2011, the sociologist Keith Kahn-Harris hosted more than a dozen dinner parties at his London home that were more than just social occasions; they were intended as an experiment in dialogue.
By Sue William Silverman University of Nebraska Press, £11.99
Ms Silverman is a fan of 1950s pop star Pat Boone, and a lover of words (we learn how she French-kisses an early amour "ventriloquist", "twisting the letters around my tongue"). What she doesn't like could fill a book: more than one, in fact.