Dave Cohen has been in the comedy business for 30 years, writing for such shows as Spitting Image and Have I Got News for You. But lampooning politicians or celebrities is not his greatest claim to fame.
In any great adventure,
that you don’t want to lose,
victory depends upon the people that you choose.
So, listen, Arthur darling, closely to this news:
We won’t succeed on Broadway,
If you don’t have any Jews*
You’ve come at a busy time,” says Don Black as he opens the door to his sprawling, comfortable apartment in west London. However, one of the world’s most sung lyricists is not being unwelcoming. It’s just that, as well as compiling his new late Sunday evening Radio 2 show, which is fuelled by the Great American Songbook, there is still work to be done on his latest musical, Stephen Ward.
Playing a low-rent Luton lawyer in a new play by Nick Payne at the Donmar Warehouse, Nigel Lindsay is certainly spending a lot less time in wardrobe than he did for his previous show. The role of Barry in The Same Deep Water As Me is one requiring Lindsay — one of this country’s most powerful stage actors — to don a shabby suit.
Grilling the fat cats from multinationals such as Google and Amazon holds little fear for Margaret Hodge. After all, she was the Labour MP who faced down the challenge of British National Party leader Nick Griffin at the last election, inflicting a crushing defeat that sent the BNP into a possibly terminal decline.
When actor, satirist, musician, artist, broadcaster and mock-rocker Harry Shearer joins Maureen Lipman on stage at London’s newest theatre, the experience will be a tad different from the time Shearer and the rest of spoof rock band Spinal Tap performed to tens of thousands on Glastonbury’s main stage in 2009. The Park Theatre audience is around 180. But he will still be nervous.
It was Nicholas Hytner’s third big opening in as many weeks. And how better to follow celebrated productions of Verdi’s Don Carlo starring Jonas Kaufmann at the Royal Opera House and Shakespeare’s Othello with Adrian Lester at the National Theatre than an evening in conversation at the London Jewish Cultural Centre.
What do you do with a family heirloom such as Marxism? It’s not the kind you can sit on a mantelpiece or hang in a wardrobe. But it is the kind you can write a play about, which is what New York dramatist Amy Herzog has done — twice.