Edward Saatchi has a lot to say. He responds to questions with considered, passionate answers and a delivery as smooth, flawless and decisive as his hero Barack Obama, which is fitting as the two men owe each other a great deal.
John Axelrod would be the first to admit that outspokeness and popularity do not often go together. But that is not going to stop the conductor in his determination to shake up the classical music status quo.
Everyone has been attempting to get Jews into light entertainment and reality programmes recently, What with Grandma’s House, Strictly Kosher, Jewish Mum of the Year and Friday Night Dinner, the stereotypes have been flowing freely.
Josh Radnor is talking about alcohol. The actor-director and sitcom star has given it up and is finding life as a former imbiber difficult. “There’s some grief that goes with that change, because alcohol feels so kind of youthful and sexy and romantic,” he sighs, before confessing to a recent lapse in Paris when he indulged in a few glasses of red wine.
Yefim Bronfman is a heavyweight virtuoso: a force of nature, whose fame has spread beyond musical circles. He even makes an appearance in Philip Roth’s The Human Stain, with the author describing him as “Bronfman the Brontosaur” and “Mr Fortissimo”.
A Jewish wedding forms the opening frame of indie film-maker Todd Solondz’s film, Dark Horse. Guests are seen dancing to the sound of loud music pumping, all with the exception of Abe (Jordan Gelber) and Miranda (Selma Blair), who are sitting awkwardly next to each other at a table, barely communicating.
To say that Itzik Galili is busy would be an understatement. The Israeli choreographer has broken through spectacularly in the UK in 2012 — there have been four premieres of his work performed by companies as prestigious as the Rambert Dance Company and the English National Ballet.