To misquote Tolstoy, most tales of families murdered in the Holocaust are depressingly similar, but each story of survival is miraculous in its own way. To live through the most well organised mass murder in history usually took a triumph of the human spirit and a fair degree of luck.
Shai Kremer is a photographer to watch. His stunning Israeli landscapes were immediately snapped up by the New York gallerist, Julie Saul, at his Masters graduate show in 2005. Since then his work has won international acclaim with shows in some of the world's leading galleries including Tate Modern and The Metropolitan Museum of Art in New York.
If ever there was a convincing argument for the licence fee, it is programmes like this. Very few commercial broadcasters use their resources to make documentaries about industrial chemists who died nearly 80 years ago.
Even before I watched this comedy, I knew I was going to hate it. Comments from friends ran the gamut from: "I would rather have my teeth pulled than watch this again" to "I would rather have my eyes gouged out with a fork than watch this again."
In vibrant oil paintings of lovers embracing, mothers shopping for the Sabbath and families picnicking, in dark gouaches of meditative rabbis, and in luminous watercolours, Dora Holzhandler imbues her subjects with a spirit of mystical intimacy.
Eve Arnold became one of world's most famous photographers by learning to be invisible. In the decades after the Second World War she gained unprecedented access to film stars such as Marilyn Monroe and Marlene Dietrich and public figures such as Malcolm X, and produced intimate images as iconic as their subjects. And all by acquiring the happy knack of blending into the background.