"Israel is trying to protect itself, and it doesn't seem too bothered about being liked, but I am. I don't like it if people don't like me. And people don't like me if they feel Israel is being disproportionate."
The Talmud and Jewish comedy are not often spoken about in the same breath. But for Alex Edelman, one of the hottest tickets at this year's Edinburgh Festival Fringe, it has been a key component in his comedic development.
Ben Uri celebrates its 1a>remarkable centenary this month1b>. One hundred years of the Jewish community in London from July 1, 1915 seen through the eyes and art of principally émigré artists, predominantly Jewish. First, they were forced to flee from the Russian Pale and East Europe and then, 50 years later, from Nazi-occupied Central Europe to Britain.
The Green Room at the Royal Shakespeare Company's rehearsal studios in Stratford-upon-Avon was an interesting place last week. This is where actors hang out until they are needed in rehearsal. Some pore over their lines, lips moving as they read. Others chat, joke, eat, drink coffee and eat packed lunches.
Jackie Mason, the legendary Jewish comedian, might be 83 years old, but he's still much in demand. Three years after undertaking his Farewell Tour on these shores, he is about to embark on a week-long residency at London's Adelphi Theatre, under the quaint title of Ready To Rumble, with brand new material and a familiar agenda: to prick our pretensions and expose our hypocrisies.
My children Nathalie, Nicky and Alex, grew up with exciting stories about the fun-loving witches Molly and Bolly, who travelled from London to the Lake District sowing mischief wherever they worked. Blonde-haired Molly and black-haired Bolly were the creatures of my imagination. My husband, Oded, would even tiptoe into the children's bedroom and listen to the stories, spellbound.